A Kiwi Le Mans legend brought back from the past

17 December, 2014

 

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Recreating a Kiwi Le Mans legend is no minor feat and Grant Aitken explains the reasoning behind why he took on the challenge

Some five years ago, in a discussion with a significant New Zealand motorsport personality, the topic of the original 1966 Le Mans-winning Ford GT40, as driven to victory by Chris Amon and Bruce McLaren came up. The person involved in the discussion was adamant that the original car was stored in a garage in Tauranga although, personally, I had my doubts as I believed that the value of the original vehicle would be beyond the resources of most Kiwis.

A fruitless search resulted in me making contact with a known previous owner of the original car, a certain George Stauffer — a globally recognized race car restorer. I tracked him down and boldly rang him. He told me that he had in fact owned the original car (chassis 1046), and restored it to its original 1966 livery. 

Further to confirming his ownership, he also advised me that he’d recently sold it to a New York collector for a modest US$16 million. However, he told me that if the notion of building a clone of the original interested me, I should talk to Lee Holman, as he still had some of the original parts that made up the MKII GT40.

I commissioned manufacturer Holman Moody to build a replica of #1046. The body shell was sourced from a recognized current replica builder in South Africa and shipped to Holman Moody in Charlotte, North Carolina in the US.

Eighteen months went by and the car was completed with a dry-sump 427 FE engine, built but the original engine builder, Jimmy Tucker. The car features the correct T44 transmission, period-correct gauges, seats, interior, and luggage compartments. It is believe to be the closest reproduction of the original car in existence. 

During the build, Chris Amon’s assistance was invaluable, with his supplying of pictures of the original car, including dashboard layout among other things.


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The car was completed in 2012 and shipped to New Zealand, where on December 10, 2014 Chris Amon was introduced to the car. We drove several laps of the Taupo Motorsport Park circuit and Chris was quite emotional about the visit to the past, speaking very highly of the car.

I am delighted to have reconstructed a car to commemorate one of New Zealand’s greatest sporting victories — one that has gone largely unnoticed in New Zealand. However, I want to ensure that the upcoming 50th anniversary of Bruce McLaren and Chris Amon’s win — the first ever for a Ford at Le Mans — is celebrated and given the recognition it deserves.

The gallery below has been captured by Graham Sword.

Breakfast of champions – Brink

Some older readers may recall the amusing late 60s advertisement for a breakfast drink using World Champion racing driver Graham Hill which was made while he was out here competing in the Tasman Series.
“Drink Brink” was the phrase, subtly altered by Graham’s characteristic lisp into “Dwink Bwinkl” which drew a grin or two.
Southland Mini racing enthusiast Howard Kingsford-Smith has preserved a little bit of Mini racing history when he re-created the “Brink Mini” some 25 years ago.
“I bought what remained of the original car and made a replica I suppose or look-a-like of the original Brink Mini from Cathy Henderson about 25 years ago,” Howard explained.

The motor car as an art form

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”