Kiwis love Aston Martin

16 June, 2014

 

Kiwis love Aston Martin more than any other country does anywhere else in the world.

Global Sales Director for Aston Martin, Christian Marti, announced at the Australasia Dealer Conference, held in the Barossa Valley, South Australia, that Aston Martin in New Zealand had the highest market share in the world (luxury segment) in 2013.

Aston Martin/Independent Prestige General Manager, Greg Brinck, was there to accept the accolade.

“We had a fantastic 2013, particularly with the new Vanquish, so we were confident that we’d be ‘up there’ internationally, based on the New Zealand market share stats that we had received. It is particularly fitting that we achieved the number one spot in the centenary celebration year for Aston Martin.

“The celebration events that we shared with our customers and owners during the last year, again emphasized to us the real passion held here in New Zealand for Aston Martin sports cars. The future certainly looks bright with a strong model range and all-new dedicated dealership, in the not too distant future.”

There seems to be plenty to look forward to from Aston Martin in New Zealand, so let’s see what the rest of 2014 has to offer.

Breakfast of champions – Brink

Some older readers may recall the amusing late 60s advertisement for a breakfast drink using World Champion racing driver Graham Hill which was made while he was out here competing in the Tasman Series.
“Drink Brink” was the phrase, subtly altered by Graham’s characteristic lisp into “Dwink Bwinkl” which drew a grin or two.
Southland Mini racing enthusiast Howard Kingsford-Smith has preserved a little bit of Mini racing history when he re-created the “Brink Mini” some 25 years ago.
“I bought what remained of the original car and made a replica I suppose or look-a-like of the original Brink Mini from Cathy Henderson about 25 years ago,” Howard explained.

The motor car as an art form

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”