Weekly Motor Fix: the car with a cult following — the Mini Moke

10 November, 2015

Mini designer Alec Issigonis laid down his blueprints for a utilitarian Mini in the early ’60s, and his idea became reality with the Mini Moke’s debut in 1964.

Starting with the standard four-cylinder A-series transverse Mini engine — front-wheel drive, of course — the Moke’s off-road ability was severely curtailed by its low ground clearance, a factor necessitated by the use of 10-inch Mini wheels. However, despite that, as any Mini owner will tell you, these little front-wheel drive marvels can pull themselves out of almost any situation – with the right tyres, and as long as they don’t bottom down in something like mud.

Eventually, BMC fitted 13-inch wheels to the Moke, also popping in their larger 998c motor. The totally open Spartan Moke also eventually received perspex side windows, mud flaps, and wider wheel arches. Later still, the Moke’s utilitarian hood received zip-in doors, and roll bars were added as the more powerful 1275cc engine became available.

In Australia, where all production shifted in 1968, roo bars also became standard. Between 1964 and 1968, around 30,000 Mokes had been built in the UK, but only 1500 were registered in their homeland.

In the ’70s, our Australian cousins relabeled the car as the Moke Californian, and the car was even available with flower power–style floral hoods to complement vibrant colours such as pink and aqua. The final Mokes were built in Portugal up until the early ’80s.

Today, the Mini Moke is considered to be something of a cult car, helped by their exposure in Patrick McGoohan’s infamous ’60s TV series, The Prisoner.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.