Weekly Motor Fix: best of British

2 December, 2015

In an effort to reinvigorate the Daimler marque after acquiring the company in the early ’60s, Jaguar slotted Daimler’s 2.5-litre V8 into their Mk2 body and introduced the new model in 1962. Designed by Edward Turner, this jewel of an engine truly complemented the car’s handsome and curvaceous body perfectly. 

Keeping costs to a minimum, the Mk 2 Jaguar bodyshell received only minor modifications, including a revised rear valance to accommodate the V8’s twin-exhaust tail pipes plus a few alterations to the engine mounts. 

Despite the Daimler wearing many Jaguar Mk2 trim items, the Daimler, got its own entirely redesigned grille consisting of the marque’s long-established sculptured flutes across the top of the surround. The grille was devoid of any engine size badge; instead, this appeared on the boot lid in the shape of a redesigned traditional ‘Daimler’ script and V8 emblem. Following on from the handsome grille design, the chrome-plated number plate surround also sported those trademark flutes.

To complete the Daimler’s new identity, new wheel trims were fitted boasting a chromed ‘D’ motif against a black background in the centre section. 

The interior also received a minor makeover. Gone was the centre console that graced the Jaguar’s interior — this was replaced with a small panel under the centre of the dash panel, finished in walnut veneer to match the main dashboard. Other differences included a split front-seat arrangement, with twin centrally mounted armrests and recliners offered as options. Daimlers also shared the same steering wheel as their Mk2 cousin, the only difference being the ‘D’ badging in the centre. Unlike late-’60s Jaguars, the Daimler never suffered the indignity of vinyl upholstery as it was treated to full-leather trim. To put in bluntly, the Daimler may have been considered a ‘bitza’ when it emerged from Coventry back in 1962, but this stylish, luxuriously appointed combination proved to be one of the finest cars of its era.

This pristine example has been lovingly cared for by its current owner and has received a total restoration. The finishing touches include 205/70 R15 Cooper whitewalls, new exhaust system, and tail pipes. The front seats have been replaced, and many hours have been spent fettling the engine to the point that the Turner V8 now purrs and sounds absolutely fantastic.

So, this Daimler continues the journey it first set out on 48 years ago — still capable of bringing a smile to onlookers and other road users, as well as giving the driver an extreme amount of pleasure.

This car is reluctantly offered for sale due to another classic car purchase. For further details refer to the Editors’ Pick in our special January issue of New Zealand Classic Car magazine — celebrating 300 issues of the magazine — on sale December 14.   

Rural delivery

Lew’s initial assessment of the derelict Jeep was that it was pretty rusty but it looked complete and he thought it would make a pretty nifty and fun town car for Ann.
“That was about six years ago. It took me about four or five months to restore it; there’s not much to it. I don’t know a lot about the history of this Jeep, although I do know they made a lot of them. There are only a few in New Zealand and since I got it here, I’ve heard that there are one or two more in the country, but none of them on the road.” He believes one might be near Omarama and another in Christchurch.
Lew and Ann decided to put the Jeep back into its original distinctive US Postal Service livery and the result is impressive. Hours of sanding, grinding, and welding have produced a Jeep looking like it is fresh from the production line. The chassis was media blasted and repainted in a gleaming black, and all components were overhauled.

Performance art

Shelby’s targets were Superformance — a South African company that wanted to sell its versions of these cars in the US — and the US-based Factory Five. Their defence was that the name and shape of the Cobra car were abandoned when Shelby American ceased production of these particular models back in the 1960s.
Shelby countered with: “We spent millions of dollars creating the name and the car and winning the world championship. These knock-off-car guys don’t deserve the credit or the profit for what my team and Ford accomplished in the ’60s.”
Superformance painted an even bigger target on its back by also producing a version of Shelby’s Daytona coupé. Other cars in its production stable were Mk1 GT40 and 1962 Corvette Grand Sport replicas, but we’ll focus here on the Daytona.