Win an AUTOart 1:18 Toyota 2000G

18 February, 2015

The Toyota 2000GT was Japan’s first high-speed two-seater fastback coupé (one convertible version being produced for use in the James Bond movie You Only Live Twice) to break numerous international speed and endurance records during the late ’70s and even drawing the attention of Carroll Shelby, who prepared a team of cars for use in the 1968 SCCA production car race series in the US.

Only 351 examples of the swoopy-looking 2000GT were built between 1967 and 1970 (some sources quote a lower figure of 337) but the car was hardly a sales success. However, today, surviving examples are worth serious money — especially in their homeland.

This gorgeous 1:18 die-cast model comes from AUTOart’s Millennium collection and, as we’ve come to expect from AUTOart, detailing is exemplary. The Yamaha-developed 112kW twin-cam six looks totally authentic with its battery of Solex carburettors. The model also includes gearbox pop-up headlamps, opening access panels located on either side of the car and, of course, a fully detailed interior.

Thanks to the good guys at Toymod, the NZ AUTOart distributor, we have one example of this stunning Toyota 2000GT to give away to a lucky reader — just answer the following question:

Q:    Yamaha developed the 2000GT’s high-spec overhead cam cylinder head — but from which humdrum Toyota saloon did the engine’s bottom-end originate?

 

This competition is now closed

This could be good news for restoring cars and bikes – but we must be quick!

Our parliament is currently considering a member’s Bill, drawn by ballot, called the ‘Right to Repair’ Bill.
It’s due to go a Select Committee for consideration, and we can make submissions ie say what we think of it, before 3 April this year. It’s important because it will make spare parts and information for doing repairs far more readily available and this should slow the rate at which appliances, toys and so on get sent to landfill.

1959 Sunbeam Alpine: A road trip with Lady P

The romance of the road
The South Island begins to reveal its unbelievable beauty and clarity of light as we weave and bend past mountain peaks, blue flowing rivers, and bright green forests. Today, while the cutlery wheel continues to chime, there are no morbid rattles, and we are still alive. The road moves beneath us and I start to really understand what a road trip is all about: the warm analogue hum of the engine, the sensory overload of wind and sun, the dreamy pageant of shapes and colour that glides by like a movie set, not a cloud in the sky.