Whipped Up: the Porsche Cayman GTS shoot

1 March, 2015

I have a little disclaimer to make before I get started. This post is not about driving the car, nor is it about reviewing it. It’s more a story of the shoot and how it all comes together to achieve something like this. I’m one of the photographers/videographers here at Parkside Media and The Motorhood and I have been shooting for around four years. I’m no car reviewer — I’m more obsessed with photography than the subjects. With that in mind, I’m here to discuss what I do and how the show has come together. 

I’m becoming increasingly captivated with shooting things in certain manners or ways. I was always obsessed with perfection, but it’s become harder to achieve my ideal atmosphere when constantly shooting cars for a publication. Unlike shooting for myself or a for client, the planning is quite minimal and often everything’s done on the fly. It’s definitely challenged me and my knowledge at times but it’s also given birth to some great ideas, and horrible ones at the same time. It doesn’t help that I’m always a bit of a planning freak too. 

People seem to forget that it is a job. I am out here to work and my work is photography. It just so happens that it involves cars along the way — photos come first, however. In the time I’ve been shooting cars I’ve learnt how to make the most of a situation and capture the scene. Working in a private suburb, the Porsche Cayman was shot with a regal, expensive feel in mind; something that captures the exquisite elegance of a Porsche.

I shot this car out in the country at a location that I have always wanted to use. I drove past it nearly every day for a few years and it made me wonder if it was possible to get a car there and do a shoot. The circumstances came together and the shoot was booked to go ahead. I packed my gear, using a Sony A7S and a Canon 7D, and set out to shoot a series of portraits of the new Porsche.

Some people will not agree with the Cayman. The Cayman is a new take on the classic Porsche 911 styling and, if anything, it’s one of the only new variations in many years. The Boxer came out but was regarded as a more feminine car, and the Cayman is still trying to find its feet. This model does come with a new design, new engineering, and a revised thought process. It is truly a modernized, new take on the classic Porsche design aesthetic. 

If anything, I wonder how the Cayman will survive, and what impact it will have on the Porsche brand in the years to come. I feel that the move is bold and courageous and will only reinforce Porsche as a heritage motoring icon. With the likes of the recently released Cayman GT4, it’s hard not to appreciate the work put into the car. 

As shown in the shoot however, it’s easily a daily driver as much as it is a race car. With a few simple flicks of various dials and switches, the car can be transformed from a Honda Accord to a Porsche GT3 RS in mere seconds. It’s a daily race car — the car that people have been asking for, but only few have received. With that in mind, I feel the car will make a significant impact on the outlook of Porsche.

The name ‘911’ is synonymous with Porsche. Many will consume on the basis of having a 911 and being able to become a part of a history, which unlike the Cayman, the 911 does allow for. It’s hard to truly say where to from here but I think the Cayman is a step in the right direction and a car that needs to be shown more often. However, with the Lotus Evora 400 coming out, which vehicle is going to take the crown in this small sector of motoring?

Although it may be a higher model than the one I’m featuring, the strength of the design comes through in the video and is most definitely worth watching.

Escort services – 1968 Escort 1100 Restomod

The Escort started off as a 1968 1100 cc two-door sold-new in Britain. At some point it was retired from daily duty and set aside as a pet project for someone. When that project began is unclear, but much of the work was completed in 2014 including a complete rotisserie restoration.
By the end of 2014, it was finished but not completed. Its Wellingtonian owner bought it sight unseen from the UK and it landed here in early 2020. It was soon dispatched to Macbilt in Grenada North, Wellington for them to work their magic.
Macbilt had two instructions: to get the car through compliance for use on the road; and to improve the vehicle and finish the project so it drove as well as it looked. Looking at the car now, it has an amazing presence and stance. It can’t help but attract attention and a bevy of admirers.

Lunch with … Cary Taylor

Many years ago — in June 1995 to be more precise — I was being wowed with yet another terrific tale from Geoff Manning who had worked spanners on all types of racing cars. We were chatting at Bruce McLaren Intermediate school on the 25th anniversary of the death of the extraordinary Kiwi for whom the school was named. Geoff, who had been part of Ford’s Le Mans programme in the ’60s, and also Graham Hill’s chief mechanic — clearly realising that he had me in the palm of his hand — offered a piece of advice that I’ve never forgotten: “If you want the really good stories, talk to the mechanics.”
Without doubt the top mechanics, those involved in the highest echelons of motor racing, have stories galore — after all, they had relationships with their drivers so intimate that, to quote Geoff all those years ago, “Mechanics know what really happened.”