Aston Martin LM19: race star to star honours

25 March, 2015

As with most of the world’s prestigious auto manufacturers, Aston Martin had a factory-works team building cars to compete in the annual Le Mans 24-hour race. Aston Martin’s LM-series of cars were individually numbered from LM1 to LM23 — the first two of these took part in the 1928 Le Mans. The Aston Martin works team’s development of the LM cars began to ramp up over the following seven years, and by 1935, the team produced four special LM-series cars, widely regarded as amongst the best pre-war sports cars.

Three of these cars — LM18, LM19, and LM20 — were built to race in the gruelling Le Mans 24-hour Grand Prix d’Endurance, where they would perform admirably. Thomas Fothringham drove LM19 hard and at the head of the pack, before crashing after nine hours. LM20, however, would finish third overall, and claim the Biennial Cup for Aston Martin.

LM19 would go on to be rebuilt by the works team, and raced by Charlie Martin at the Ards public-road circuit in Northern Ireland. Though the fastest amongst the works cars, faulty piping resulted in low oil pressure, and LM19 — and the rest of the works cars — retired to the pits.

The next year, in 1936, LM19 was sent to compete in the legendary thousand-mile Mille Miglia road race in Italy. The car once again performed well, driven by Tom Clarke and Maurice Falkner, and by Rome, LM19 was an hour and a half ahead of the next competitor in class. Unfortunately, a valve-train issue saw the end once more to what should have been a standout victory.

After its racing career, LM19 was taken in and maintained by the same family since 1969. It is in exemplary condition — valued at an estimated estimated £1,600,000–2,200,000 — and is now to be auctioned at Bonhams Festival of Speed Sale in June where, fittingly, it will be taking star honours.

NZ Classic Car magazine, July/August 2026 issue 406, on sale now

Rebirth of a brilliant Grand Tourer –1973 Datsun 240Z
How often do we long for that ultimate dream sports car, and that dream comes true? This is about one of the most influential Japanese cars of all time, a car that changed the sports car market.
This is about much more than the restoration of an iconic classic sports car, the 240Z. It’s about the culmination of a dream over many years and the friendships made. It’s about the people who helped and the professionals whose approach ensured that the dream became a reality, an attitude typical of the industry we call ‘classic restoration experts’.
It is no surprise that the outcome after a lengthy search by Conrad Van der Geest for the right Datsun 240Z culminated in a trophy for the best Japanese car at this year’s Caroline Bay Beach, Rock N’ Hop at Timaru.
Originally a roadworthy car in running order, it was left-hand-drive and had been driven for several years by its Timaru owner, as Conrad explains.
“A neighbour, Dave Barron, knew I was looking for one and introduced me to the owner. I had seen the car being driven around Timaru. It was unusual for one of these coming originally from California, so it was a really clean car instead of rusty, as they are prone to rust. The story goes that the grandfather passed it onto his grandson, who decided to sell it, and that’s when it came over here.”
Every issue comes with our FREE huge wall poster; this issue, it’s our cover car for this edition, a 1973 Datsun 240Z

The butterfly effect

The man on the mountain bike pedalled over, taking it all in. Gazing in wonderment at this small Japanese coupe with butterfly doors, he said, “Wow, I have never seen one of these before. What is it?” When I told him it was a Toyota, he nearly fell off his bike.
The Toyota Sera is unique amongst ’90s Japanese coupes. The Sera, which is Italian for ‘evening’, can trace its roots back to Toyota’s AXV-II concept car. Launched as part of a trio of Toyota concept cars at the 1987 Tokyo Motor Show, it shared its underpinnings with the P70 Toyota Starlet. The similarities ended there, thanks to the AXV-II’s low-slung and rounded coupe styling with butterfly doors. These doors were held upright by gas struts when fully open. Glass covered the upper section of the doors and the rear hatchback.
These features, much to everyone’s surprise, were carried over to the production Sera in 1990. Toyota marketed the Sera, which means ‘will be’ in Spanish and ‘princess’ in Hebrew, as a funky alternative to the much-loved MR2.