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LaFerrari on display at the Australian Motoring Festival

27 March, 2015

If you’re looking for a place to see more than $30 million worth of sports cars, and you just so happen to be in Melbourne over the weekend of March 28—29, then the Australian Motoring Festival at then Melbourne Showgrounds may just be the place to be.

But if you’re like us and can’t quite make it over the ditch, then have a look at what the centrepiece of the 2000-square-metre Ferrari exhibition is. Yes, that’s the $3 million, limited-production, hybrid supercar — the LaFerrari. 

It’s known as Ferrari’s most ambitious project ever, and will be located amidst a huge range of Ferrari engineering and design in the no-expense-spared display.

The CEO of Ferarri Australasia, Herbert Appleroth, says, “Surrounding LaFerrari will be a uniquely Ferrari experience featuring 30 years of Ferrari supercar history, [and] a stunning Ferrari showroom with the latest range of Ferrari road cars.”

The festival started on March 26 and will run through to March 29.

A passion for classics and customs

In the highly competitive field of New Zealand classic and custom restorations, reputations are won or lost on the ability to maintain consistently high standards of workmanship. A company managing to achieve this is D A Panel beating Ltd, of Rangiora near Christchurch. Is your classic or custom car restoration stalled, or in need of a refresh, or perhaps you are looking for experts to rebuild that recent import project out of Europe or the ‘States?

Aspen Siris — A roadster for the wrong time

When I visited George Spratt’s workshop in Auckland, I was impressed with the number of vehicles he had tucked away, mostly hybrid or fully electric. Many of them had started life being petrol powered but George has been tinkering with converting conventionally powered cars to electrical propulsion since the mid ’70s.
The Horizon was George’s first attempt at building a car; it was an evolution of ideas about what was considered to be ideal for a car at that time. The shape and style were governed by the choice of running gear and power plant. The size of the garage restricted walk-around viewing, and it was not until it was almost finished that George was able to push the car out of the garage to get the full picture.