Maserati Alfieri claims 2014 Concept Car of the Year award

8 March, 2015

Maserati’s Alfieri Concept caused a stir within the motoring fraternity upon its unveiling at last year’s Geneva International Motor Show — not only did the sharp 2+2 coupe boast a name in honour of one of the legendary marque’s founding brothers, Alfieri Maserati, it also displayed the beautiful lines that Maserati’s designs are known for.

The Alfieri Concept, designed at Maserati’s Turin-based Centro Stile, displayed none of the exaggeration so common in concept vehicles. The design influence from Maserati’s classic A6 is clear, with a long, low nose juxtaposed against the squat, muscular rear section.

Now, a year on, Maserati’s efforts have been rewarded by being named 2014 Concept Car of the Year at the Car Design Night in Geneva. The event’s Car Designs of the Year awards are judged by an independent panel of professional designers, including those from educational facilities, and from behind names such as Daimler, General Motors, and Jaguar. Marco Tencone, who led the Alfieri design at the Centro Stile, was on hand to accept the award on Maserati’s behalf.

Following the positive public reaction to the Alfieri Concept, the car was also promised for production as an exotic competitor to the likes of the Porsche 911 and Jaguar F-Type. Though various concessions will undoubtedly be required to ensure the Alfieri will be suitable for a global market, Maserati CEO Harald Wester promises that the coupe’s design is here to stay.

The engine is the same 4.7-litre unit found in the Maserati GranTurismo coupe, producing 460hp and 384lb·ft through a six-speed automatic gearbox, and limited-slip differential. Production is confirmed for 2017, with a cabriolet version to follow soon after.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.