Extremely rare Bugatti finds home in New Zealand

29 June, 2015

Generally speaking, Bugattis are a rare and elusive breed on New Zealand shores. But among the few that reside here, there is one that stands out above the rest in terms of rarity, and New Zealand Classic Car magazine was among the few-hundred invited guests to witness its revelation at Hamilton’s Classics Museum earlier this month.

Owned by Classics Museum owner Tom Andrews, this 1937 Bugatti Type 57 carries an interesting history — and it’s set to have an equally interesting future ahead of it.

By common knowledge thought to be almost extinct, this particular Type 57 — one of only 719 ever built by Bugatti — was discovered in December 2014 in western France as part of ‘The Baillon Collection’. One of the largest barn find treasure-troves in recent history, the 60 cars recovered fetched a total price of US$28.5 million (just shy of NZ$42 million), at auction — some US$10 million higher than price estimated. Tom’s seasoned Type 57 sold for NZ$489,260.

Initially built as a Gangloff-bodied Bugatti, this example was rebuilt with a Ventoux body before eventually winding up in Roger Baillon’s collection of cars where it would sit and rust alongside many other exotic European classics for several decades before being sold to Tom and subsequently making the trip to New Zealand.

While it was revealed to the public in a rather sorry-looking state, the car is set to undergo a remarkable transformation. Tom’s short-term goal is to rebuild it as a Ventoux-bodied car. But his long-term goal is more intriguing: he plans to eventually rebuild the car as a Bugatti Atlantic — one of the rarest, most sought-after cars ever made.

With only four examples ever produced, the Atlantic is a grail for many, as evidenced by Ralph Lauren’s stunning, award-winning, black Type 57SC Atlantic selling for US$40 million (NZ$58.4 million) in 2010. Its swooping lines and curves live on as an exemplary sample of 1930s design and engineering. The notion of a fifth Atlantic rising from the ashes and finding its home in New Zealand is exciting to say the least.

But for now, Tom’s Type 57 will be rebuilt in Ventoux form. We’ll be following this one with plenty of interest!

The motor car as an art form

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”

More to the point

This Daimler SP252 is so rare, few people know it exists. It’s one of a kind. It’s the only surviving, in fact the only SP252 ever completed; the would-be successor to the SP250 Daimler Dart. It is also the last sports car to have been designed by Jaguar’s legendary founder, Sir William Lyons.
Perhaps one of the original Dart’s biggest problems was it’s somewhat-divisive looks. It certainly went well enough to win fans, although Sir William wasn’t among them. It crushed the opposition in the Bathurst six-hour race, finishing five laps ahead of anyone else, and it was snapped up by police forces in Britain, Australia, and New Zealand, as it was the fastest thing on the road.
So you’d think a stunning new body with the magic Lyons touch would have been a surefire success. Why this car never made it into production is still something of a mystery, as the official explanations barely stack up.