Get in dad’s good books; win him a $10,000 holiday for Father’s Day

11 August, 2015

Although he tries not to show it, your dad’s tired of receiving socks and shaving cream for Father’s Day every year. So why not treat him to something a bit more desired, say, a 204-piece toolkit and a family holiday valued at $10,000? Well for one family, this will become a reality, thanks to the kind folks at Repco.

From August 13 to September 6, 2015, every purchase that you make at Repco stores nationwide gives you an entry in the draw to win this incredible prize. Simply text the word REPCO, your receipt number, and your name to 244, and you’re in!

Five runners-up will also be selected, with each to be awarded a copy of All Black Corey Jane’s new book, Winging It.

To find your nearest Repco outlet, click here to access their handy store locator.

Terms and conditions: standard text charges apply. Competition runs August 13 to September 6, 2015 (all entries must be texted to 244 by 11.59pm September 6, 2015 to be in the draw). Prize comes in the form of a $6000 Flight Centre card and a $4000 Visa Prezzy Card. Plus five runners-up will get a signed copy of Corey Jane’s new book, Winging It. See repco.co.nz for full terms and conditions.

Breakfast of champions – Brink

Some older readers may recall the amusing late 60s advertisement for a breakfast drink using World Champion racing driver Graham Hill which was made while he was out here competing in the Tasman Series.
“Drink Brink” was the phrase, subtly altered by Graham’s characteristic lisp into “Dwink Bwinkl” which drew a grin or two.
Southland Mini racing enthusiast Howard Kingsford-Smith has preserved a little bit of Mini racing history when he re-created the “Brink Mini” some 25 years ago.
“I bought what remained of the original car and made a replica I suppose or look-a-like of the original Brink Mini from Cathy Henderson about 25 years ago,” Howard explained.

The motor car as an art form

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”