Remembering how time flies when you’re having fun

11 January, 2016

The year that was 2015 was a milestone event for the New Zealand Classic Car team as they reached Issue No. 300! A creditable effort, I reckon. The June 2015 issue was a milestone for this writer, marking my debut with the magazine back in 1995. 

How the heck did I ever get involved in New Zealand Classic Car, I hear you ask? I guess you could say it all started (for me, anyway) when I picked up a copy of the third issue of what was then NZ Classic Car Directory. In the late 1980s, I was living in Dunedin and had just acquired the (then) only 1959 Cadillac Fleetwood in New Zealand. At that time there were seven 1959 Cadillacs in total within our shores, and three of those were owned by the one individual in Auckland — today, there are 79! Another long-term writer for this magazine, Trevor Stanley-Joblin, wrote a ‘My Classic & I’ feature on my Caddy, that short article appearing in issue No. 11.

Toon town

By the time I moved to Christchurch with my wife in 1991, we’d become regular purchasers of the magazine. At the time, I was a bit of a cartoonist and saw something in the local paper that I thought had potential. The Transport Minister had just returned from an overseas junket and, apart from complaining that he had not been given his First Class ‘goodies bag’, he announced publicly that he thought New Zealanders should be driving on the right-hand side of the road. Around that same time, Anita McNaught was one of the TV’s newsreaders, so the cartoon I drew was Anita announcing the Transport Minister’s idea — with some editorial licence, of course. I had the Minister quoted as saying that, “As from January 01, 1995, cars will be required to drive on the right-hand side of the road, for a trial period of three months … if this proves successful, then trucks and buses will be required to do the same!” I subsequently sent the cartoon to this magazine’s founding editor, Greg Vincent, and it was included in the January 1995 Clubscene column.

Getting the lead out

In Christchurch, my wife and I were regular attendees at the Canterbury Concours d’Élégance and, as luck would have it, Greg Vincent attended several of these shows — so I took the opportunity to introduce myself. This was the time when another former magazine writer — that lovely Canadian, Trish Duffy— was writing about a proposal concerning a possible switch to unleaded petrol in New Zealand, a prospect that sent shock waves through the classic-car fraternity. Trish also received some hate mail and, as a consequence, wanted to stop writing about petrol. Not being bothered by a few threats from vested-interest groups, I agreed to take over from Trish, who had already done much of the research, and happily provided me with boxes of documents from which I was able to take up the cudgels without much extra effort.

It was an interesting time, and more than my fair share of articles featuring my efforts to halt the onset of unleaded petrol were printed in various newspapers. Alas, the campaign was unsuccessful, and when the dreaded unleaded was finally introduced, I happened to be touring the US. With Trish also out of the country and the media itching to get someone to comment, Greg Vincent pretty much ended up as the fall guy. 

As some of you will recall, the main problem with the early batches of unleaded was high levels of aromatics — in the case of toluene, which was used to boost the octane level, the level was as high as 54 per cent. This is what caused all the petrol fires and leaks, as it destroyed the rubber seals in everything. Oil companies went into overdrive to mount damage control, and lots of people received ‘confidential’ settlements.

Interestingly — I asked this question at the time, and I still do — if unleaded is so wonderful, how come we still have to use leaded Avgas in piston-engined planes, jet boats, motor racing and the like? I’m still waiting for an answer.

Grandstanding Gabriel

Those with long memories will recall the magazine’s Of Oil Leaks and Old Leather, a regular column penned by Gabriel. I started doing a cartoon strip called ‘Grandstanding Gabriel’ — my caricature was quite realistic, because I knew the real person behind the pen name, having worked with him briefly in 1970. Sadly Gabriel, aka Nigel Roskilly, is no longer with us — but if nothing else he knew everything about Jaguars and, fortunately for me and my cartoons, also had a good sense of humour.

From time to time, and in addition to my regular column, I have penned a few feature articles on various cars, usually on New Zealand Classic Car of the Year place getters. On one such memorable occasion I had the privilege of writing about Ian Clements’ Jaguar XK140 — the best bit being that I got to drive it on two occasions, the first on a road test out to Darfield and back, and again during the magazine’s photo shoot at Ruapuna, when Ian graciously let me take the mighty beast around the full circuit for a few laps. I didn’t squeal the tyres on the hairpin, honest!

All in all, it has been an interesting 20 years. I’ve really enjoyed being a contributor to the magazine, one that I’ve seen develop into a top publication, and one I am very proud (and privileged) to still be a part of. I’ve worked out that my readership now totals at least 29 — 30, if Allan reads my article twice! I can even recall Trevor Stanley-Joblin telling us all ages ago that, “One day Japanese cars will become classics,” at the time I didn’t entirely agree with him, but now even I’m writing features on Japanese classics — albeit owned by an enthusiastic son!
It doesn’t seem like 20 years — where has all that time gone? 

This article was originally published in New Zealand Classic Car Issue No. 294. You can pick up a print copy or a digital copy of the magazine below:


Last Tango in the Fast Lane

In the mid ’80s, I locked into a serious Nissan/Datsun performance obsession. It could have kicked off with my ’82 Datsun Sunny, though this would have been a bit of a stretch of the imagination, given its normally aspirated 1.2-litre motor — not the sort of thing to unleash radical road warrior dreams. But it did plant a seed, and it was a sweet little machine and surprisingly quick, in contrast to all the diabolical English offerings I had endured.
I was living in South Auckland at the time and was an unrepentant petrolhead. Motor racing was my drug of choice, and I followed the scene slavishly. Saloon car racing, with the arrival of the international Group A formula, was having a serious renaissance here and in Australia and Europe. There was suddenly an exotic air in local racing that had been absent for 15 years.
I was transfixed by this new frontier of motor racing that had hit our tracks in 1985–87 and the new array of machinery on display. In 1986, the Nissan Skyline RS DR30 made a blinding impression on me. The Australian Fred Gibson-run, Peter Jackson-sponsored team of George Fury and Glenn Seton were the fastest crew of the 1986 Australian Touring Car Championship. But Kiwi legend Robbie Francevic snuck through to win the Aussie Championship in his Volvo 240T after a strong start and consistent finishes.

NZ Classic Car magazine, May/June 2026 issue 405, on sale now

Reincarnation of the snake
We are captivated by a top-quality sports car
The Shelby NZ build team at Matamata Panelworks has endured a long and challenging journey, culminating with the highly anticipated public unveiling of the 427SC and firing up of its sonorous V8 at the 2026 Ayrburn Classic Festival of Motoring in Queenstown on February 20. This is a New Zealand-built car with loads of character and potential.
The car is now back in Matamata, and I finally have an opportunity to get up close and personal with it. But before then, the question that must be asked is, “Why would ya?”
The first answer is easy, as mentioned in the last issue of New Zealand Classic Car (#404). It was a great way to use up all the surplus Mustang parts acquired while converting brand-new Mustangs into Shelbys. The unused new Mustang parts would be great in any kit car, but the 427SC in front of me cannot be classified as one.
This is not a kit car. The reality is that it is a high-quality, factory-made production car.
Possibly the second answer is because the CEO of Matamata Panelworks, Malcolm Sankey, wanted to build a replica of the car that is a distant relation to the Shelby Mustangs scattered around his showroom floor, a car created long before the first Mustang was even thought of, and the brainchild of Carroll Shelby back in the early ‘60s.