Your winter reading sorted with New Zealand Classic Car Issue No. 306

23 May, 2016

In our June issue, we take a look at a true blue Aussie classic that’s stood the test of time and is recognized as the car that put Holden on the map. In addition, we head south and check out a young man’s impressive European car collection, and Gerrard Richards recalls the psychedelic ’60s. Lachie Jones puts three wheels to the test and gives us his verdict, and there’s also a full wrap-up of the 2016 Targa Rotorua. For those of you thinking about, or in the process of, restoring your classic car, be sure to read our comprehensive coachbuilding special feature.

Aussie legend

Ian Marshall, owner of the pristine HT Holden Monaro featured in this month’s issue, has a passion for Holdens, particularly Monaros, which started in the late 1960s as he was growing up in Sydney.

Ian’s Monaro has won an admirable list of prizes in car shows, including several People’s Choice awards. But after years of keeping it up to show condition, Ian now just wants to drive it — after all, that’s what it was made for, and he reckons there’s nothing better than motoring along a country road on a sunny day with a smile on his face, stopping for a coffee, and passers-by saying, “Nice car.” I think we’d all have to agree.

Keeping up with the Joneses

Tim Jones has spent the previous 15 years competing on the world stage as a professional athlete, reaching the heady heights of senior rugby in Canterbury, and building an enviable collection of cars. We caught up with him to chat about how he came to own a wide array of predominantly Italian classics and to ask — given his youth and such a cool collection — where he goes from here.

Day-Glo/Metalflake dreams

Gerard Richards relives the 1960s when everything seemed locked in that grey, colourless state-house Farmer’s Trading Company fashion-clone formula — unless you were lucky enough to own a two-tone Holden sedan — when, like a bolt from the blue, the hurricane of the 1960s youth culture seemed to explode in our own backyard! It was a breaking out of the straightjacket of the old repressive post-war world, and with all the new groovy fads.

As part of that same groundswell, hot rodding, car customizing and motor racing became bolder and more exciting. Loud, colourful paintwork and wild signwriting emerged in electrically garish, hypnotic beauty of the new wave of in-yer-face metalflake, and Day-Glo paints appeared on the odd street cars.

Three quarters the fun

Lachie Jones suits up and takes the latest three-wheeled Can-Am Spyder out for a day in Auckland.  

When you think of a trike, you’ll imagine a single wheel at the front and two at the back. The Can-Am Spyder is a three-wheeler, but with two wheels at the front and one at the back — arse about face, if you will — that can be driven on a car licence. It’s built by a company called BRP (Bombardier Recreational Products) that you’ll know from their Sea-Doo jet skis and Ski-Doo snowmobiles. And that in itself should explain not only the heritage, but the ability of these machines.

So, who is the Spyder for? Check out our verdict in the latest issue.

You can pick up a copy of New Zealand Classic Car Issue No. 306 in store now, or pick up a print copy of the magazine below:


NZ Classic Car magazine, July/August 2026 issue 406, on sale now

Rebirth of a brilliant Grand Tourer –1973 Datsun 240Z
How often do we long for that ultimate dream sports car, and that dream comes true? This is about one of the most influential Japanese cars of all time, a car that changed the sports car market.
This is about much more than the restoration of an iconic classic sports car, the 240Z. It’s about the culmination of a dream over many years and the friendships made. It’s about the people who helped and the professionals whose approach ensured that the dream became a reality, an attitude typical of the industry we call ‘classic restoration experts’.
It is no surprise that the outcome after a lengthy search by Conrad Van der Geest for the right Datsun 240Z culminated in a trophy for the best Japanese car at this year’s Caroline Bay Beach, Rock N’ Hop at Timaru.
Originally a roadworthy car in running order, it was left-hand-drive and had been driven for several years by its Timaru owner, as Conrad explains.
“A neighbour, Dave Barron, knew I was looking for one and introduced me to the owner. I had seen the car being driven around Timaru. It was unusual for one of these coming originally from California, so it was a really clean car instead of rusty, as they are prone to rust. The story goes that the grandfather passed it onto his grandson, who decided to sell it, and that’s when it came over here.”
Every issue comes with our FREE huge wall poster; this issue, it’s our cover car for this edition, a 1973 Datsun 240Z

The butterfly effect

The man on the mountain bike pedalled over, taking it all in. Gazing in wonderment at this small Japanese coupe with butterfly doors, he said, “Wow, I have never seen one of these before. What is it?” When I told him it was a Toyota, he nearly fell off his bike.
The Toyota Sera is unique amongst ’90s Japanese coupes. The Sera, which is Italian for ‘evening’, can trace its roots back to Toyota’s AXV-II concept car. Launched as part of a trio of Toyota concept cars at the 1987 Tokyo Motor Show, it shared its underpinnings with the P70 Toyota Starlet. The similarities ended there, thanks to the AXV-II’s low-slung and rounded coupe styling with butterfly doors. These doors were held upright by gas struts when fully open. Glass covered the upper section of the doors and the rear hatchback.
These features, much to everyone’s surprise, were carried over to the production Sera in 1990. Toyota marketed the Sera, which means ‘will be’ in Spanish and ‘princess’ in Hebrew, as a funky alternative to the much-loved MR2.