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A jumbo-sized toy shed celebration

6 June, 2016

Rotorua’s well-known performance workshop, The Toy Shed, has recently moved to larger premises at 106/112 Riri Street, to be shared with parts supply business Proparts. With both businesses belonging to well-known Rotorua petrolhead and drag racer Russell Lowe, the move to combine them made sense and offered the opportunity to increase workshop size at the same time. 

Part of that increase in space was required due to Russell also acquiring Carburettor Motors, which has been incorporated into The Toy Shed. The result is a massive 1700-square-metre complex housing all three related businesses under the one roof. With more workshop space, a dedicated dyno area, and parts supply all at the same place, the business has become the perfect one-stop shop. 

To celebrate the move, The Toy Shed is hosting an open day on July 16, the day before the annual Rotorua swap meet. The event will run from 9am through till 5pm and will feature top doorslammer and funny car fire-ups throughout the day. 

Apart from the address, all contact details for the business remain the same — phone: 07 348 5314; email: [email protected].

Breakfast of champions – Brink

17 March, 2026

Some older readers may recall the amusing late 60s advertisement for a breakfast drink using World Champion racing driver Graham Hill which was made while he was out here competing in the Tasman Series.
“Drink Brink” was the phrase, subtly altered by Graham’s characteristic lisp into “Dwink Bwinkl” which drew a grin or two.
Southland Mini racing enthusiast Howard Kingsford-Smith has preserved a little bit of Mini racing history when he re-created the “Brink Mini” some 25 years ago.
“I bought what remained of the original car and made a replica I suppose or look-a-like of the original Brink Mini from Cathy Henderson about 25 years ago,” Howard explained.

The motor car as an art form

12 March, 2026

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”