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Meet the man who designs Ferraris

10 August, 2016

In a rare interview with Head of Ferrari Design Flavio Manzoni, in the September issue of New Zealand Classic Car, he explains, “There is a very nice phrase of Renzo Piano, the famous architect, that explains that the design is something in between the prudence of tradition and the courage of the future. So it’s always a balance between the two, so you cannot forget such an important history like the Ferrari history, but we have to be really creative in order to imagine that possible evolution, possible transformation of the design, the Ferrari design in a very natural way. So we have also, with our new projects, to anticipate somehow the development of the car industry with very excellent products, so we have to be courageous and respectful at the same time.”

To read the full fascinating interview with Flavio Manzoni, get your copy of the September issue of New Zealand Classic Car here. For now, check out the gallery of Flavio Manzoni and his designs.


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A passion for classics and customs

In the highly competitive field of New Zealand classic and custom restorations, reputations are won or lost on the ability to maintain consistently high standards of workmanship. A company managing to achieve this is D A Panel beating Ltd, of Rangiora near Christchurch. Is your classic or custom car restoration stalled, or in need of a refresh, or perhaps you are looking for experts to rebuild that recent import project out of Europe or the ‘States?

Aspen Siris — A roadster for the wrong time

When I visited George Spratt’s workshop in Auckland, I was impressed with the number of vehicles he had tucked away, mostly hybrid or fully electric. Many of them had started life being petrol powered but George has been tinkering with converting conventionally powered cars to electrical propulsion since the mid ’70s.
The Horizon was George’s first attempt at building a car; it was an evolution of ideas about what was considered to be ideal for a car at that time. The shape and style were governed by the choice of running gear and power plant. The size of the garage restricted walk-around viewing, and it was not until it was almost finished that George was able to push the car out of the garage to get the full picture.