Behind the garage door: XJS Jag restoration

12 December, 2018

When an ‘oops’ needs serious attention

Not all Behind The Garage Door projects are major, body-off-type restorations. Sometimes a small accident is just as annoying as something major. If your classic car has already undergone a major restoration or has never needed one because it is already in pristine condition, a minor-damage accident is not something to be taken in a minor way.

Ace Panel and Paint in Whitianga has just such a situation to deal with now. The pictured XJS has only done 22,000km, and, recently, the owner managed to run into the back of another XJS on an outing. A touch embarrassing to say the least.

The car has needed bonnet, headlight, and other front-end repairs. Repairing that and getting everything to align again is not a job for someone who doesn’t understand the concept of repairing rather than just replacing parts. Getting everything back into line and making the repaired car look as good as a new car takes time, often more time than a small and specialist panel shop can charge for.

Bruce Hayes, of Ace Panel and Paint, says that, on a job like this, when an insurance company would be looking to, “just bolt the parts on”, he would rather take the time to sit down and do it carefully, using the correct parts. He enjoys doing it and enjoys the challenge of repairing rather than replacing, and says that frequently he’ll have spent more time than he can charge for, simply because he wants the repair to be faultless. Fortunate the owner of this XJS then.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.