The Jensen Interceptor story

30 May, 2019

 


 


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The cover car of New Zealand Classic Car issue 341 is a gorgeous NZ-new example of one of the most likeable of great English classics, the Jensen Interceptor III. Famous for its audacious glass hatch, the Interceptor’s long bonnet and outrageous (by UK standards) six or seven litre engines, it was undoubtedly for the well-heeled, but it avoided the snobbery attached to Aston-Martin, Bentley and their ilk.


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It retained the same shape throughout its life giving it a kind of purity, and its clean and distinctive lines appeal as much today as they ever did. It appeared in the top tier almost out of nowhere, and then it was gone. Ashley Webb’s story gives us the curiously not-well known background to a car that’s among the absolute best of British.


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Someone else agreed with us, before we even knew it. They had written a coffee table book on the history of the Jensen, and have sent us a copy for review. We’ll publish the review in an upcoming issue of NZ Classic Car.

You can buy a copy of New Zealand Classic Car issue 341 now by clicking the cover below.

More to the point

This Daimler SP252 is so rare, few people know it exists. It’s one of a kind. It’s the only surviving, in fact the only SP252 ever completed; the would-be successor to the SP250 Daimler Dart. It is also the last sports car to have been designed by Jaguar’s legendary founder, Sir William Lyons.
Perhaps one of the original Dart’s biggest problems was it’s somewhat-divisive looks. It certainly went well enough to win fans, although Sir William wasn’t among them. It crushed the opposition in the Bathurst six-hour race, finishing five laps ahead of anyone else, and it was snapped up by police forces in Britain, Australia, and New Zealand, as it was the fastest thing on the road.
So you’d think a stunning new body with the magic Lyons touch would have been a surefire success. Why this car never made it into production is still something of a mystery, as the official explanations barely stack up.

Polishing to perfection

The secret to a show-stopping finish is colour sanding, no matter which paint system you use. Even a good painter, no matter how experienced or talented — like my mate Bruce Haye, CEO at Ace Panel and Paint in Whitianga — can’t shoot to a perfect mirror finish. To get that level of perfection, you need to colour sand.
It used to be called ‘rubbing out’ or ‘cutting’, and it was done with pastes that came in cans. They worked — sort of — but the compounds really just rounded off imperfections instead of eliminating them, and they removed a lot of paint in the process. But now your new finish can be made flawless, thanks to microfine sandpapers that come in 1000, 1500, 2000, and even 2500 grit ranges, and Farecla G3 polish — available from automotive paint suppliers.