The Jensen Interceptor story

30 May, 2019

 


 


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The cover car of New Zealand Classic Car issue 341 is a gorgeous NZ-new example of one of the most likeable of great English classics, the Jensen Interceptor III. Famous for its audacious glass hatch, the Interceptor’s long bonnet and outrageous (by UK standards) six or seven litre engines, it was undoubtedly for the well-heeled, but it avoided the snobbery attached to Aston-Martin, Bentley and their ilk.


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It retained the same shape throughout its life giving it a kind of purity, and its clean and distinctive lines appeal as much today as they ever did. It appeared in the top tier almost out of nowhere, and then it was gone. Ashley Webb’s story gives us the curiously not-well known background to a car that’s among the absolute best of British.


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Someone else agreed with us, before we even knew it. They had written a coffee table book on the history of the Jensen, and have sent us a copy for review. We’ll publish the review in an upcoming issue of NZ Classic Car.

You can buy a copy of New Zealand Classic Car issue 341 now by clicking the cover below.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.