Check out the beautiful and rare in New Zealand Classic Car

7 April, 2015

The April issue of New Zealand Classic Car (Issue No. 292) is now on sale. 

This Ellerslie Intermarque Concours d’Elegance special edition is crammed full of desirable award-winning classics. 

Cars don’t come more iconic than the fabled 300SL ‘Gullwing’ — winner of the coveted Masters Class award. It is one of only 29 aluminium-bodied examples ever built by Mercedes-Benz.

For lovers of all things British, we take an in-depth look at a stunning brace of rare, beautifully restored Aston Martin DB2/4s, that wowed the crowd at Ellerslie.

We also talk to the owners of the amazing time capsules that appeared in this year’s Survivors Class competition, leading off with a beautifully original Wolseley 1300, and we get up close and personal with McLaren’s new hypercar — the incredible P1. 

In addition, there’s ten pages full of news from around the country — be sure to take advantage of this issue’s subscription offers to be immersed in all things classic car from now on.

Breakfast of champions – Brink

Some older readers may recall the amusing late 60s advertisement for a breakfast drink using World Champion racing driver Graham Hill which was made while he was out here competing in the Tasman Series.
“Drink Brink” was the phrase, subtly altered by Graham’s characteristic lisp into “Dwink Bwinkl” which drew a grin or two.
Southland Mini racing enthusiast Howard Kingsford-Smith has preserved a little bit of Mini racing history when he re-created the “Brink Mini” some 25 years ago.
“I bought what remained of the original car and made a replica I suppose or look-a-like of the original Brink Mini from Cathy Henderson about 25 years ago,” Howard explained.

The motor car as an art form

We have certainly come a long way since the exhibition entitled 8 Automobiles, shown at the Museum of Modern Art in New York in the autumn of 1951, the first exhibition concerned with the aesthetics of motor car design.
It was here that the often-used term ‘rolling sculpture’ was coined by curator Philip C Johnson, director of the department of architecture and design, when he said, “An automobile is a familiar 20th century artefact, and is no less worthy of being judged for its visual appeal than a building or a chair. Automobiles are hollow, rolling sculptures, and their design refinements are fascinating. We have selected cars whose details and basic design suggest that automobiles, besides being America’s most useful objects, could be a source of visual experience more enjoyable than they now are.”