Extremely rare Bugatti finds home in New Zealand

29 June, 2015

Generally speaking, Bugattis are a rare and elusive breed on New Zealand shores. But among the few that reside here, there is one that stands out above the rest in terms of rarity, and New Zealand Classic Car magazine was among the few-hundred invited guests to witness its revelation at Hamilton’s Classics Museum earlier this month.

Owned by Classics Museum owner Tom Andrews, this 1937 Bugatti Type 57 carries an interesting history — and it’s set to have an equally interesting future ahead of it.

By common knowledge thought to be almost extinct, this particular Type 57 — one of only 719 ever built by Bugatti — was discovered in December 2014 in western France as part of ‘The Baillon Collection’. One of the largest barn find treasure-troves in recent history, the 60 cars recovered fetched a total price of US$28.5 million (just shy of NZ$42 million), at auction — some US$10 million higher than price estimated. Tom’s seasoned Type 57 sold for NZ$489,260.

Initially built as a Gangloff-bodied Bugatti, this example was rebuilt with a Ventoux body before eventually winding up in Roger Baillon’s collection of cars where it would sit and rust alongside many other exotic European classics for several decades before being sold to Tom and subsequently making the trip to New Zealand.

While it was revealed to the public in a rather sorry-looking state, the car is set to undergo a remarkable transformation. Tom’s short-term goal is to rebuild it as a Ventoux-bodied car. But his long-term goal is more intriguing: he plans to eventually rebuild the car as a Bugatti Atlantic — one of the rarest, most sought-after cars ever made.

With only four examples ever produced, the Atlantic is a grail for many, as evidenced by Ralph Lauren’s stunning, award-winning, black Type 57SC Atlantic selling for US$40 million (NZ$58.4 million) in 2010. Its swooping lines and curves live on as an exemplary sample of 1930s design and engineering. The notion of a fifth Atlantic rising from the ashes and finding its home in New Zealand is exciting to say the least.

But for now, Tom’s Type 57 will be rebuilt in Ventoux form. We’ll be following this one with plenty of interest!

Performance art

Shelby’s targets were Superformance — a South African company that wanted to sell its versions of these cars in the US — and the US-based Factory Five. Their defence was that the name and shape of the Cobra car were abandoned when Shelby American ceased production of these particular models back in the 1960s.
Shelby countered with: “We spent millions of dollars creating the name and the car and winning the world championship. These knock-off-car guys don’t deserve the credit or the profit for what my team and Ford accomplished in the ’60s.”
Superformance painted an even bigger target on its back by also producing a version of Shelby’s Daytona coupé. Other cars in its production stable were Mk1 GT40 and 1962 Corvette Grand Sport replicas, but we’ll focus here on the Daytona.

Design accord

You can’t get much more of an art deco car than a Cord — so much so that new owners, Paul McCarthy and his wife, Sarah Selwood, went ahead and took their Beverly 812 to Napier’s Art Deco Festival this year, even though the festival itself had been cancelled.
“We took delivery of the vehicle 12 days before heading off to Napier. We still drove it all around at the festival,” says Paul.
The utterly distinctive chrome grille wrapping around the Cord’s famous coffin-shaped nose, and the pure, clean lines of the front wing wheel arches, thanks to its retractable headlamps, are the essence of deco. This model, the Beverly, has the finishing touch of the bustle boot that is missing from the Westchester saloon.