Jaguar/Daimler: Jaguar’s ‘new’ Lightweight E-Type

16 June, 2014

 


Back in the ’60s, Jaguar built 12 examples of marque’s famous Lightweight E-Type — a car that featured an all-aluminium body and engine block and a stripped-out interior. At the time, Jaguar had expected to construct a series of 18 examples between 1963 and 1964 but, at the time, they only got around to producing 12 — finally, fifty years later, Jaguar’s Heritage division is planning to complete the originally proposed run of 18 by building six more Lightweight E-Types using chassis numbers assigned but unused in the 1960s.

Originally produced specifically for racing, the Lightweight E-types were designed to take the fight to rivals from Ferrari on the track.

The six ‘new’ models will be built to the exact specifications of  ’60s originals – including the all–aluminium 3.8-litre straight–six engine and aluminium body.

Pricing information will be revealed closer to the car’s launch later this summer but don’t expect these cars to be cheap, bearing in mind that one of those genuine Lightweight E-Type from the ’60s would set you back several million bucks.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.