Formula 1

The actual Formula One

Seeing, in a shed in Hamilton, New Zealand, the Darracq 120 racer that Louis Wagner, also a pioneer aviator, drove to victory in the 1906 Vanderbilt Cup race felt a little like finding a Rembrandt at a garage sale.
For historical significance, I’d say this car ranks with Ray Harroun’s Marmon Wasp, the first Indianapolis 500 winner. Unlike Harroun’s Wasp, which has been lovingly cared for at the Indianapolis Motor Speedway Hall of Fame Museum over the years, this historically pivotal machine wound up half a world away from its home in France and, to most of the motoring world, largely forgotten. Sadly, so is the story of how the car got to Aotearoa in the first place.
More often than not, a racing car that is a few years old is regarded as obsolete and relegated to a shed somewhere. As far as racing drivers and team owners at the cutting edge of the sport are concerned, the cars are virtually worthless at that point. They can’t be driven on the street; at best they can be reconfigured for lower levels of the sport, so few people care about them until their historical significance becomes more apparent.

The super-detailed point of difference

Tony Lyne has been building models for as long as he can remember, and he has realised his love for classic Formula 1 in spectacular fashion. As a teenager, Tony was drawn to the ‘elbows out’ style of racing required to keep cars of that era on Formula 1 circuits the world over and the technological race to improve them.
It is hard to fully understand the time, patience, and nerve-racking moments that go into a super-detailed work of art. However, hearing people utter “Where do you put the keys in to start it?”, and watching their eyes bulge as they carefully inspect the finished product, shows that all the hours spent in the spare room looking through the magnifying glass were well spent. These kitsets may have started out as a mere humble model, but they have ended up as true scale works of automotive art.