Weekly Motor Fix: the ultimate ’60s getaway car

16 March, 2015

 

In the late ’50s, early ’60s the S-Type Jaguar quickly established itself as the ultimate ‘Q’ car — no ’60s bank job was complete without a 3.8 getaway car. With a larger rear compartment than the popular Mk2,  the S-type could more readily accommodate all members of the robbery team, and the smooth ride, afforded by Jaguar’s newly developed independent rear suspension, meant that the team could easily sort out items, such as the gelignite, en route to the job without fear of a broken road surface setting off a detonator.

Once the blag had been completed successfully, the S-Type provided a capacious boot more than capable of carrying a few dozen mailbags stuffed with cash.

Of course, prior to the bank job, that large boot would’ve easily accommodated essential items such as sawn-off shotguns, heavy-duty electric drills, bolt cutters, and acetylene cutting equipment.

Jaguar’s 3.8 Mk2 was quicker but, bearing in mind all of the above advantages, there is no doubt that the reduced top speed of the S-Type was only a minor handicap when the Sweeney could only afford to run Fords.

With all of that in mind, not surprisingly, the 3.8 S-Type’s most important claim to cinematic fame was as the lead vehicle in the rubber-burning police car chase, that opened British crime film Robbery in 1967. In that dramatization of the 1963 ‘Great Train Robbery’, the S-type is driven by villains during a wages snatch in Bracknell, sealing the car’s image for an entire generation.

However, we doubt that the beautiful example featured here has been involved in any unlawful activities during its life. This fully restored 1965  3.8 MOD S-Type Jaguar has been the subject of a full nut-and-bolt restoration by the current owner, who purchased the Jaguar from the third owner in November 2007. It was a matching-numbers car, complete even if shabby, and the current owner felt it was worth restoring.

Finished in  ‘Opalescent Maroon’ — the original colour — this S-Type boasts a completely reconditioned engine and drivetrain. The interior wood was original, all numbered to this car and matched.  It was stripped, carefully repaired where needed, and finished with Danish oil — eight coats.  The interior trim and leather seat repairs were redone and recoloured in ‘Sand’, and included new wool headlining, trim rails, and sun visors, new underfelts, and Wilton carpets, fit for any criminal gang.  

Motorsport Flashback –The right racing recipes, and cake

If a top-fuel dragster sits atop the horsepower list of open-wheel racing cars, then cars designed for the massively successful Formula Ford category are close to the opposite end. Invented in the mid-1960s as a cheap alternative to F3 for racing schools, the concept was staggeringly simple: introduce the Ford Kent pushrod to a spaceframe chassis; keep engine modifications to a minimum; same tyres for all; ban aerodynamic appendages; and you get the most phenomenally successful single-seater class of racing car the world has ever seen.
The first-ever race for these 1600cc mini-GP cars took place in England in July 1967, but it quickly took off. The US and Australia were among the earliest adopters. It took us a little longer because we had the much-loved National Formula, comprising predominantly Brabhams, Ken Smith’s Lotus, and Graham McRae’s gorgeous self-built cars, all powered by the Lotus-Ford twin-cam. After a memorable championship in 1968/69 the class was nearly on its knees a year later. The quality was still there with Smith winning his national title, just, from McRae, but the numbers had fallen. Formula Ford was the obvious replacement and was introduced for the 1970/71 season as ‘Formula C’.

Angela’s ashes

In November 2018, Howard Anderson had a dream of finding a 1964 Vauxhall PB Cresta to recreate the car he, his wife, Ruth, and three friends travelled in from London to Invercargill in 1969. The next night’s dream was a nightmare. He dreamed he would find the original Angela but it was a rusted wreck somewhere in Southland.
Howard’s inspiration came from reading about a driver in the 1968 London–Sydney Marathon who was reunited with his Vauxhall Ventora 50 years later. He, Ruth, and her parents had watched the start of the rally from Crystal Palace in South London. The fashion at the time among the rally and race set was to paint bonnets flat black to avoid the sun’s reflections flashing into the driver’s eyes, thus saving them from certain disaster. Howard admired the flat black bonnet on the Ventora so much he had Angela’s bonnet painted dull black.