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Top 8 tips for choosing a classic car restoration professional

12 May, 2015

Handy tips and hints for those planning on having their car professionally restored

Although many classic car enthusiasts prefer a hands-on approach to restoring their cars, this is not always possible. A lack of spare time or simply a lack of skills may prevent a home restoration. If this is the case, then the only way forward may be a professional restoration.

Although not the cheapest option, having your car fully restored from top to toe by professionals does have benefits and, of course, a reputable workshop will always guarantee their work. If you do choose to follow this path, a single company might be assigned to restore the entire car or, alternatively, separate companies could undertake individual tasks — such as panel and paint or interior and mechanical.

Assuming you have already found a suitable project car, here are a few handy tips for picking a suitable professional: 

1. Inspection

When selecting a professional restorer it pays to inspect some of their previous work. Most restoration shops will have extensive photographs of projects that they have completed and, while it’s useful to see these photos, it’s even more useful if you can actually see the cars themselves — that way you can also talk to the owners and gather useful information on the restoration company. 

2. Check locally

There are advantages to picking a local restoration company — it’ll be easy to visit them to check up on progress. However, having said that, sometimes it pays to pick the best possible workshop, regardless of location, especially if they have specialist knowledge that applies to your car. Reputable restoration companies can provide photographic reports, so it is possible to monitor progress.

3. Check before you buy

Once you have chosen a professional company,  the first step will always be a thorough evaluation of your car — in many ways, it can be to your advantage to select a workshop prior to finally buying a project car; in that way the restoration company can check before you buy. Manage your project in that manner and you may save yourself money later on.

4. Professional inspection

Having said that, evaluating a suitable project car is not always a straightforward procedure. We’ve seen many classic cars, which look great but, on further inspection, are full of rot and rust. A professional inspection will reveal this type of damage. However, don’t expect a proper inspection to be free — it could involve partially dismantling some areas of the car. If you proceed with the restoration, any inspection costs will be covered but if you decide not to proceed expect to pay for this inspection. In some cases the damage will be very noticeable, although, of course, restoration costs could be higher for such a vehicle.

5. Talk to the owners

If you want to get personally involved with the restoration, talk to the owners of prospective workshops. Some will allow owners to work on their own cars — usually on non-skilled tasks. Anyone can scrape off underseal or, with a little tuition, handle menial tasks such as sanding. This can save you money as these types of restoration tasks are very labour-intensive. However, getting involved doesn’t mean simply hanging around the workshop and getting in the way of tradesmen.

6. Budget talks

Paying for a professional restoration is rather like funding a new home — once you’ve signed on the dotted line you’ll be expected to front up with an initial deposit, followed by regular progress payments, with the final payment due when the car is completed to your satisfaction.

Discuss budgets beforehand and make sure everything is affordable — don’t be tempted into viewing the workshop as a storage facility while you find the cash for a progress payment. The economics of operating a restoration business does not allow for non-paying residents taking up space that could be used for a paying project.

7. Visit often

When your project is eventually under way, make periodic visits to view the work in progress and keep yourself involved with the project.

8. Do your homework

Finally, New Zealand is lucky enough to have some exceptional restoration companies, and many have enviable international reputations for the quality of their work. But check any potential choices out carefully before you hand over your hard-earned cash. As with picking a car in the first instance, selecting an appropriate and reputable classic car restoration company comes down to you undertaking a spot of homework.

What companies have you worked with and recommend? Let us know in the comments below.

Almost mythical pony

The Shelby came to our shores in 2003. It went from the original New Zealand owner to an owner in Auckland. Malcolm just happened to be in the right place with the right amount of money in 2018 and a deal was done. Since then, plenty of people have tried to buy it off him. The odometer reads 92,300 miles. From the condition of the car that seems to be correct and only the first time around.
Malcolm’s car is an automatic. It has the 1966 dashboard, the back seat, the rear quarter windows and the scoops funnelling air to the rear brakes.
He even has the original bill of sale from October 1965 in California.

Becoming fond of Fords part two – happy times with Escorts

In part one of this Ford-flavoured trip down memory lane I recalled a sad and instructive episode when I learned my shortcomings as a car tuner, something that tainted my appreciation of Mk2 Ford Escort vans in particular. Prior to that I had a couple of other Ford entanglements of slightly more redeeming merit. There were two Mk1 Escorts I had got my hands on: a 1972 1300 XL belonging to my father and a later, end-of-line, English-assembled 1974 1100, which my partner and I bought from Panmure Motors Ford in Auckland in 1980. Both those cars were the high water mark of my relationship with the Ford Motor Co. I liked the Mk1 Escorts. They were nice, nippy, small cars, particularly the 1300, which handled really well, and had a very precise gearbox for the time.
Images of Jim Richards in the Carney Racing Williment-built Twin Cam Escort and Paul Fahey in the Alan Mann–built Escort FVA often loomed in my imagination when I was driving these Mk1 Escorts — not that I was under any illusion of comparable driving skills, but they had to be having just as much fun as I was steering the basic versions of these projectiles.