Bangers and Ash: farewell to a legend

15 August, 2016

At about 5.30pm on Wednesday, August 3, we received the news that Chris Amon had passed away earlier that day. As the news was being relayed to me, it took me several seconds to register what I’d just heard. Just to make sure, I had to read the notice a couple of times, hoping that, somehow, the news had been misinterpreted.

Sadly, it was true — one of our greatest motor-racing legends had gone, and as a few of us stood around the editorial office in utter shock, I still found it hard to believe. 

The following morning — the day before the September 2016 issue of New Zealand Classic Car went to print — we decided to rehash the entire magazine, and put together a fitting tribute to celebrate the life of Chris Amon. 

It seemed like only yesterday that I was sitting in his lounge, interviewing him about his career, and at the same time he was reunited with the BMW 3.0CSL — dubbed the ‘Batmobile’ — after 38 years. This was the very car that he shared with Hans-Joachim Stuck during the European Touring Car Championship (ETCC) series back in 1973. 

After a close examination of the car in which he and Stuck had won the 1973 Nürburgring Six Hour, I sat down with Chris, and was transported back to a time when drivers such as Jackie Stewart, Niki Lauda, Jochen Mass, and James Hunt all vied for touring-car honours. 

It was the very first time I’d met Chris, and he treated me like I was a long-lost friend. Warm, kind, and generous with his time, he sat with me for a few hours reminiscing about his wonderful career, while remaining humble at the same time. Alas, the few hours I spent with Chris went by in a flash, leaving me with many questions that I wanted to ask. I could have easily sat listening to him for hours as he reminisced about his career, but as the old cliché goes — all good things must come to an end. 

As part of our tribute to Chris, we’ve rerun the full interview, along with special tributes from Donn Anderson and Michael Clark, who have kindly shared their own personal experiences with Chris over the years.

Chris Amon was a man much respected and admired in New Zealand and around the world — a Kiwi legend, and one of the world’s greatest ever race drivers. Rest peacefully.  

To read the latest from Ashley Webb and the New Zealand Classic Car team, pick up a print copy of the September 2016 issue here:


The butterfly effect

The man on the mountain bike pedalled over, taking it all in. Gazing in wonderment at this small Japanese coupe with butterfly doors, he said, “Wow, I have never seen one of these before. What is it?” When I told him it was a Toyota, he nearly fell off his bike.
The Toyota Sera is unique amongst ’90s Japanese coupes. The Sera, which is Italian for ‘evening’, can trace its roots back to Toyota’s AXV-II concept car. Launched as part of a trio of Toyota concept cars at the 1987 Tokyo Motor Show, it shared its underpinnings with the P70 Toyota Starlet. The similarities ended there, thanks to the AXV-II’s low-slung and rounded coupe styling with butterfly doors. These doors were held upright by gas struts when fully open. Glass covered the upper section of the doors and the rear hatchback.
These features, much to everyone’s surprise, were carried over to the production Sera in 1990. Toyota marketed the Sera, which means ‘will be’ in Spanish and ‘princess’ in Hebrew, as a funky alternative to the much-loved MR2.

Racing Mazdas

Both Rod Millen and Ron Kendall were rotary racing kings, emanating from the North Shore of Auckland, where I grew up. And the ultimate rotary techno guru was Bill Shiells, who developed the engine into a rocket ship while working out of Gulf Mazda in Takapuna from 1969, and later in his own business, Rotorsport. He began to extract some phenomenal horsepower from the enigmatic rotary engine. Bill was one of the first to race the Mazda RX-2 Coupe in 1971 and achieved immediate success, causing others to sit up and take notice, particularly the North Shore’s racing elite. They included Robbie Francevic, Rod Millen, Ron Kendall, John Woolf, John Le Feuvre, and Rex Findlay.