Ground zero: Toyota heritage museum

6 April, 2017

 


 

We take a walk back into Toyota’s history, to a time before it became the automotive giant we know today

It isn’t the strongest species that survives; it is the one that is most adaptable to change, and Sakichi Toyoda and his son, Kiichiro Toyoda, were exactly that. The founders of our beloved Toyota marque didn’t always dabble in the auto industry — this story is one of adaptability, and goes something along the lines of ‘from cotton to cars’. It’s a fascinating tale, so, when the chance to visit the very first Toyota premises came up while I was visiting Nagoya, I grabbed the opportunity with both hands and set off to see how the Toyoda family created one of the most famous automotive marques in the world.

The Toyoda Power Loom was released in 1905 and quickly gained public attention for producing quality cotton fabric. By 1925, the business was a major player in the loom industry, with full automation capability, and the Toyoda Automatic Loom Works, Ltd was formed in 1926. In 1929, the patent to the looms was sold to a British company, generating the capital for Kiichiro Toyoda to begin automobile development. After taking apart a 1933 Chevrolet, he blueprinted the car for a prototype engine he had been working on and used the disassembled Chevrolet car parts to test for strength and rigidity. From this research and development was born the Toyota model AA, which sold for a unit price of ¥3350, or $45 dollars. The name also underwent a change, from ‘Toyoda’ to ‘Toyota’, as it was easier to pronounce, and to write it in the katakana script took eight strokes, a number considered lucky by the Japanese. The Toyota Motor Company Ltd launched in 1937.

When I visited the original premises and stood on the original production line, it gave me an eerie feeling: as I looked down the building, the wooden skeleton produced perfect ‘tunnels’ for industrial production lines. You could almost feel the ghosts of the first employees running around crafting looms and, later, the first automobile prototypes. Nowadays, it is a museum showcasing the entire history of Toyota with original, working machines spread throughout the complex. Of course, I was more interested in the automotive side of things, so I skipped on into the next room. Walking through the door, we transitioned from fabric to internal combustion, and greeting me was a restored example of an original AA chassis. Though I’m more of a sports car fanatic, I felt privileged to see the beginnings of the Toyota we all know and love today. I guess you could say that this car paved the way for icons such as the Hachi-Roku, Celica, and Supra.

Many of the classic cars are some of the first to have ever rolled off the production lines and would easily be the most immaculate original examples in existence

 


 

The museum has been set up to showcase pristine examples of some of the best cars in Toyota’s arsenal. Everything from original baremetal chassis to an impressive engine line-up, and even metal presses that create engine internals are on display. Watching a 120-tonne forge press making miniature connecting rods was impressive, until we were told that the full-size ones are done with a 2000-tonne press.

If you’re a Toyota fanatic, this is one experience you wouldn’t want to miss out on. Many of the classic cars are some of the first to have ever rolled off the production lines and would easily be the most immaculate original examples in existence, since Toyota has time-capsuled them.

But perhaps the most impressive thing of all was getting an insight into the industrial production lines used by Toyota today. Watching a chassis go from multiple panels to a finished, welded product in mere minutes, then through the automated paint process, finally to be mated up with its engine and drivetrain was a mind-boggling experience. Seeing this makes you realize just how a single Toyota production facility is capable of producing 463 vehicles per day. At the end of the production line was a small image of Kiichiro Toyoda, with the simple phrase, “Before you say you can’t do something — try it.”

This family came from poor, humble beginnings and created the world’s largest automobile manufacturer, a true rags-to-riches story. Visiting Toyota and standing beneath the roof that Toyota’s full-scale manufacture began under is a must-do for any true Toyota fan.

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.