Leno drives Steve McQueen’s XKSS

18 August, 2017

 

 

The cover car of the current issue of NZ Classic Car is a Kiwi owned, one-of-nine reproduction of the timeless Jaguar XKSS. It’s a stunning car built with passion by Jaguar Land Rover Classics in the UK.

The original 16 XKSS’s are a rare breed, too. Valued at north of $15m, their provenance and performance make them one of the most lusted after classics on the planet.

But there is one car out of all of them that is more desired than any other; the XKSS that belonged to Steve McQueen (twice). That car now resides at the Peterson Museum in Los Angeles with a reputed value of upwards of $40m (this is called “the McQueen effect”).

For his YouTube show, Jay Leno’s Garage, Leno managed to get the keys to McQueen’s XKSS and take it out for a spin on the streets of L.A. I’ll let him explain the feeling (word is, his insurance premium for the drive in McQueen’s Jag was $80,000!).

Otherwise, check out the latest issue of NZ Classic Car for as close as we’ll ever get to the real thing. It’s quite something, we assure you.

 

More to the point

This Daimler SP252 is so rare, few people know it exists. It’s one of a kind. It’s the only surviving, in fact the only SP252 ever completed; the would-be successor to the SP250 Daimler Dart. It is also the last sports car to have been designed by Jaguar’s legendary founder, Sir William Lyons.
Perhaps one of the original Dart’s biggest problems was it’s somewhat-divisive looks. It certainly went well enough to win fans, although Sir William wasn’t among them. It crushed the opposition in the Bathurst six-hour race, finishing five laps ahead of anyone else, and it was snapped up by police forces in Britain, Australia, and New Zealand, as it was the fastest thing on the road.
So you’d think a stunning new body with the magic Lyons touch would have been a surefire success. Why this car never made it into production is still something of a mystery, as the official explanations barely stack up.

Polishing to perfection

The secret to a show-stopping finish is colour sanding, no matter which paint system you use. Even a good painter, no matter how experienced or talented — like my mate Bruce Haye, CEO at Ace Panel and Paint in Whitianga — can’t shoot to a perfect mirror finish. To get that level of perfection, you need to colour sand.
It used to be called ‘rubbing out’ or ‘cutting’, and it was done with pastes that came in cans. They worked — sort of — but the compounds really just rounded off imperfections instead of eliminating them, and they removed a lot of paint in the process. But now your new finish can be made flawless, thanks to microfine sandpapers that come in 1000, 1500, 2000, and even 2500 grit ranges, and Farecla G3 polish — available from automotive paint suppliers.