The next chapter: Caffeine & Classics, now with more classics

27 August, 2018

 


 

The monthly Caffeine & Classics meeting should suffice without an introduction, if you’re in the position to be reading this. It’s a pretty standard formula, and one that the team from Protecta Insurance kicked off over five years ago, becoming a pretty much self-governing event that happens like clockwork — the morning of the last Sunday of each month at Smales Farm Business Park in Auckland is Caffeine & Classics time. 

Of course, like everything that does well — or better than ever intended — the event grew into a bit of a monster, taking over the entire Smales Farm premises, and the relaxed ‘first in, best dressed’ entry began to cause organizers a few headaches. 

Diplomatically, they announced a few changes on social media, to bring the ‘classics’ back to Caffeine & Classics. Essentially, they decided to implement a blanket admission policy, with ‘classic’ cars defined as those at least 30 years old, or newer cars that fit the intention of the meeting — scratch-built, obscure, or exotic. It’s not a difficult concept to grasp, but a handful took the chance to fixate solely on the ‘30 years’ part, decrying the event and promising that it would wither away to nothing as a result of this unacceptable change. 

But it’s easy to be the voice of dissent on an open forum like Facebook. How would things actually go, in light of the drive to make the event a bit less of an automotive free-for-all? 
As it turned out on Sunday, 26 August, things were just fine. The grounds were full without overflowing, and spectators still showed up in droves, despite there being no on-site parking for the public. 

As for the cars? We’ll let this small selection of photos speak for themselves, but at the risk of falling into editorial cliché, there truly was something for everyone. We’ll see you there at the next one — something tells us the monthly Caffeine & Classics isn’t going anywhere. 
 

The butterfly effect

The man on the mountain bike pedalled over, taking it all in. Gazing in wonderment at this small Japanese coupe with butterfly doors, he said, “Wow, I have never seen one of these before. What is it?” When I told him it was a Toyota, he nearly fell off his bike.
The Toyota Sera is unique amongst ’90s Japanese coupes. The Sera, which is Italian for ‘evening’, can trace its roots back to Toyota’s AXV-II concept car. Launched as part of a trio of Toyota concept cars at the 1987 Tokyo Motor Show, it shared its underpinnings with the P70 Toyota Starlet. The similarities ended there, thanks to the AXV-II’s low-slung and rounded coupe styling with butterfly doors. These doors were held upright by gas struts when fully open. Glass covered the upper section of the doors and the rear hatchback.
These features, much to everyone’s surprise, were carried over to the production Sera in 1990. Toyota marketed the Sera, which means ‘will be’ in Spanish and ‘princess’ in Hebrew, as a funky alternative to the much-loved MR2.

Racing Mazdas

Both Rod Millen and Ron Kendall were rotary racing kings, emanating from the North Shore of Auckland, where I grew up. And the ultimate rotary techno guru was Bill Shiells, who developed the engine into a rocket ship while working out of Gulf Mazda in Takapuna from 1969, and later in his own business, Rotorsport. He began to extract some phenomenal horsepower from the enigmatic rotary engine. Bill was one of the first to race the Mazda RX-2 Coupe in 1971 and achieved immediate success, causing others to sit up and take notice, particularly the North Shore’s racing elite. They included Robbie Francevic, Rod Millen, Ron Kendall, John Woolf, John Le Feuvre, and Rex Findlay.