Weekly Motor Fix: the ultimate ’60s getaway car

16 March, 2015

 

In the late ’50s, early ’60s the S-Type Jaguar quickly established itself as the ultimate ‘Q’ car — no ’60s bank job was complete without a 3.8 getaway car. With a larger rear compartment than the popular Mk2,  the S-type could more readily accommodate all members of the robbery team, and the smooth ride, afforded by Jaguar’s newly developed independent rear suspension, meant that the team could easily sort out items, such as the gelignite, en route to the job without fear of a broken road surface setting off a detonator.

Once the blag had been completed successfully, the S-Type provided a capacious boot more than capable of carrying a few dozen mailbags stuffed with cash.

Of course, prior to the bank job, that large boot would’ve easily accommodated essential items such as sawn-off shotguns, heavy-duty electric drills, bolt cutters, and acetylene cutting equipment.

Jaguar’s 3.8 Mk2 was quicker but, bearing in mind all of the above advantages, there is no doubt that the reduced top speed of the S-Type was only a minor handicap when the Sweeney could only afford to run Fords.

With all of that in mind, not surprisingly, the 3.8 S-Type’s most important claim to cinematic fame was as the lead vehicle in the rubber-burning police car chase, that opened British crime film Robbery in 1967. In that dramatization of the 1963 ‘Great Train Robbery’, the S-type is driven by villains during a wages snatch in Bracknell, sealing the car’s image for an entire generation.

However, we doubt that the beautiful example featured here has been involved in any unlawful activities during its life. This fully restored 1965  3.8 MOD S-Type Jaguar has been the subject of a full nut-and-bolt restoration by the current owner, who purchased the Jaguar from the third owner in November 2007. It was a matching-numbers car, complete even if shabby, and the current owner felt it was worth restoring.

Finished in  ‘Opalescent Maroon’ — the original colour — this S-Type boasts a completely reconditioned engine and drivetrain. The interior wood was original, all numbered to this car and matched.  It was stripped, carefully repaired where needed, and finished with Danish oil — eight coats.  The interior trim and leather seat repairs were redone and recoloured in ‘Sand’, and included new wool headlining, trim rails, and sun visors, new underfelts, and Wilton carpets, fit for any criminal gang.  

NZ Classic Car magazine, July/August 2026 issue 406, on sale now

Rebirth of a brilliant Grand Tourer –1973 Datsun 240Z
How often do we long for that ultimate dream sports car, and that dream comes true? This is about one of the most influential Japanese cars of all time, a car that changed the sports car market.
This is about much more than the restoration of an iconic classic sports car, the 240Z. It’s about the culmination of a dream over many years and the friendships made. It’s about the people who helped and the professionals whose approach ensured that the dream became a reality, an attitude typical of the industry we call ‘classic restoration experts’.
It is no surprise that the outcome after a lengthy search by Conrad Van der Geest for the right Datsun 240Z culminated in a trophy for the best Japanese car at this year’s Caroline Bay Beach, Rock N’ Hop at Timaru.
Originally a roadworthy car in running order, it was left-hand-drive and had been driven for several years by its Timaru owner, as Conrad explains.
“A neighbour, Dave Barron, knew I was looking for one and introduced me to the owner. I had seen the car being driven around Timaru. It was unusual for one of these coming originally from California, so it was a really clean car instead of rusty, as they are prone to rust. The story goes that the grandfather passed it onto his grandson, who decided to sell it, and that’s when it came over here.”
Every issue comes with our FREE huge wall poster; this issue, it’s our cover car for this edition, a 1973 Datsun 240Z

The butterfly effect

The man on the mountain bike pedalled over, taking it all in. Gazing in wonderment at this small Japanese coupe with butterfly doors, he said, “Wow, I have never seen one of these before. What is it?” When I told him it was a Toyota, he nearly fell off his bike.
The Toyota Sera is unique amongst ’90s Japanese coupes. The Sera, which is Italian for ‘evening’, can trace its roots back to Toyota’s AXV-II concept car. Launched as part of a trio of Toyota concept cars at the 1987 Tokyo Motor Show, it shared its underpinnings with the P70 Toyota Starlet. The similarities ended there, thanks to the AXV-II’s low-slung and rounded coupe styling with butterfly doors. These doors were held upright by gas struts when fully open. Glass covered the upper section of the doors and the rear hatchback.
These features, much to everyone’s surprise, were carried over to the production Sera in 1990. Toyota marketed the Sera, which means ‘will be’ in Spanish and ‘princess’ in Hebrew, as a funky alternative to the much-loved MR2.