Land Rover’s amazing Valentine’s Day gift

23 February, 2015

Valentine’s Day 2015 presented four good friends with a slightly better gift than a box of Cadbury Favourites. As students of Otago University 15 years ago, Will Radford, Jeremy Wells, Anthony Dawson, and James Shatwell chipped in for a 1957 Series I Land Rover. ‘The Landy’ was a staple in their many adventures and trips throughout the country. Of course, time moves on, and after 15 years of ownership, The Landy was listed for sale on Trade Me, with a story of the friends’ many adventures, and their sadness at parting with it.

Land Rover New Zealand had come across the auction, and with the help of Will’s wife Claire, began a secret operation to restore The Landy from the ground up. Tony Katterns and the Custom Metal Shapers team were enlisted for the restoration. Broken parts were replaced with genuine Land Rover parts, while some of the characteristics that made it theirs — such as some of the dings and bumper stickers — were retained.

James McKee, Land Rover New Zealand’s marketing manager, says, “A heart-warming tale accompanied the listing, documenting the many journeys and stories this Land Rover has been part of and showing just how much the vehicle meant to the four guys. We decided it was an amazing opportunity to help them continue their relationship with this classic vehicle, so we bought it and restored it back to its former glory.”

The Landy was taken for a tour of the South Island following the restoration, to recreate some of the adventure shots Will included in the Trade Me auction, before it was returned to Auckland in time for Claire to hide it in the shed for the four mates’ ultimate Valentine’s Day present.

We will have a full feature on The Landy in New Zealand Classic Car Issue No. 293, on sale April 20 — be sure to keep an eye out for it, to read all about The Landy’s history, and the adventures of four good mates. Check out the video of the story and the work that went into the vehicle below:

Performance art

Shelby’s targets were Superformance — a South African company that wanted to sell its versions of these cars in the US — and the US-based Factory Five. Their defence was that the name and shape of the Cobra car were abandoned when Shelby American ceased production of these particular models back in the 1960s.
Shelby countered with: “We spent millions of dollars creating the name and the car and winning the world championship. These knock-off-car guys don’t deserve the credit or the profit for what my team and Ford accomplished in the ’60s.”
Superformance painted an even bigger target on its back by also producing a version of Shelby’s Daytona coupé. Other cars in its production stable were Mk1 GT40 and 1962 Corvette Grand Sport replicas, but we’ll focus here on the Daytona.

Design accord

You can’t get much more of an art deco car than a Cord — so much so that new owners, Paul McCarthy and his wife, Sarah Selwood, went ahead and took their Beverly 812 to Napier’s Art Deco Festival this year, even though the festival itself had been cancelled.
“We took delivery of the vehicle 12 days before heading off to Napier. We still drove it all around at the festival,” says Paul.
The utterly distinctive chrome grille wrapping around the Cord’s famous coffin-shaped nose, and the pure, clean lines of the front wing wheel arches, thanks to its retractable headlamps, are the essence of deco. This model, the Beverly, has the finishing touch of the bustle boot that is missing from the Westchester saloon.