Weekly Motor Fix: 1964 Chev Biscayne

7 April, 2015

 

Chevrolet’s Impala enjoys a coveted status as the unofficial ‘king’ of American cars. Thanks to drag racers, hot rodders, lowriders, and gangsters, the Impala is undoubtedly one of the world’s most recognizable American cars of the ’50s and ’60s. 

In 1958, Chevrolet introduced the Biscayne as a lower–priced, full-size equivalent to the Impala. Though the cars looked very similar, the Biscayne omitted most exterior chrome trim and featured a lower-grade interior trim. Nowadays, the differences between the Impala and Biscayne are long–forgotten by most — regardless of badge or trim, they’re both cool cars.

Steve Adams owns this 1964 Chev Biscayne, two-door ‘post’ coupe, which we spotted at last month’s Gear Jammers Hot Rod and Muscle Car Club show in Paraparaumu. The Biscayne was purchased from Trade Me as a near-complete build, which was “only needing paint.” We’ve all heard that one before … 

Once he began stripping the car back for painting, it was found to be looking the worse for wear, and essentially became subject to a full ground-up rebuild. Suffice to say that, since then, the Biscayne has received the paint it was needing. The blacked-out bumpers, grille, and wheels offer a refreshingly different take on the traditionally over-chromed old Chevy. 

Outside, the easiest way to distinguish a Biscayne from an Impala (aside from the badging, of course) is in the tail lights — the Biscayne runs two tail lights to the Impala’s three. 

Under the bonnet, the Biscayne runs a tough 383ci small block, backed by a five-speed manual gearbox, for maximum driver involvement. The diff is a standard item at this stage, although plans of installing a Ford nine-inch have been discussed, and looks set to happen sooner rather than later. 

The interior is also a tidy environment, without being anywhere near overboard. An aftermarket shifter and steering wheel take care of the driving dynamics, and a rev counter and trio of diagnostic gauges keep track of what’s going on under the bonnet. At this stage, all that is required is headlining, although Steve plans to give the interior a full once-over before long. 

Two years after purchasing it, Steve’s Biscayne is now the quick, comfortable, and reliable cruiser that he wanted. Not just that, though — it’s also a neat-looking car that manages to offer a slightly different take on the traditional shiny and low Impala — and in this day and age, that’s no bad thing!

Chrysler’s classy cruiser

I first saw our feature car, a 1970 V8-powered Regal 770 hardtop, towing a trailer carrying the tidy Ford Anglia classic racing saloon in Broadspeed racing colours that has featured in these pages. The coupe is comparatively rare here, which means anyone contemplating purchasing one of these big two-doors is sure to see prices continue to climb. The latter Charger has claimed much of the Aussie Chrysler limelight, but the simpler and classier lines of this car, which appeared dated soon after its introduction, now have a more timeless appeal.
Former owner, Balclutha motor engineer, Mike Verdoner, remembers the car well. He believes it came from Dunedin originally.
“I’m not sure about the car’s history, but I bought it off its owner at Kaitangata. Unusually, it was advertised in the local newspaper, the Clutha Leader, which was a surprise as these usually go for a lot more money on the internet. I had it for quite a few years. It needed a little bit of work to tidy it up, so I had to decide whether to spend the money on it to do it up, which could have been twenty grand. Its value at the time was not like it is now, so I sold it to Ewan. It’s probably now worth three or four times what I sold it for.”

The Pininfarina 230 SL

It’s October 1964, and imagine you’re an automotive journalist covering that year’s Paris Auto Show (Mondial de l’Automobile). As you approach the Pininfarina booth, you come across a car that looks a bit like the Mercedes-Benz 230 SL introduced the previous year at the Geneva Auto Show, a car then arriving at Mercedes-Benz dealerships around the world.
But looking closely, its styling and proportions seem to be a bit different. And it has a fixed roof, unlike the Pagoda-style greenhouse of the removable hardtop seen on the production 230 SL. While today, the styling of the W113, under the supervision of Head of Styling Friedrich Geiger, with lead designers Paul Bracq and Bela Barenyi, is considered a mid-century modern masterpiece, acceptance in-period was not universal. Some critics called out the concave design of its removable roof, which ultimately gave the car its “Pagoda” nickname.