Cars

ROTARY CHIC

Kerry Bowman readily describes himself as a dyed-in-the-wool Citroën fan and a keen Citroën Car Club member. His Auckland home holds some of the chic French cars and many parts. He has also owned a number of examples of the marque as daily drivers, but he now drives a Birotor GS. They are rare, even in France, and this is a car which was not supposed to see the light of day outside France’s borders, yet somehow this one escaped the buyback to be one of the few survivors out in the world.
It’s a special car Kerry first saw while overseas in the ’70s, indulging an interest sparked early on by his father’s keenness for Citroëns back home in Tauranga. He was keen to see one ‘in the flesh’.
“I got interested in this Birotor when I bought a GS in Paris in 1972. I got in contact with Citroën Cars in Slough, and they got me an invitation to the Earls Court Motor Show where they had the first Birotor prototype on display. I said to a guy on the stand, ‘I’d like one of these,’ and he said I wouldn’t be allowed to get one. Citroën were building them for their own market to test them, and they were only left-hand drive.”

Tradie’s Choice

Clint Wheeler purchased this 1962 Holden FJ Panelvan as an unfinished project, or as he says “a complete basket case”. Collected as nothing more than a bare shell, the rotisserie-mounted and primed shell travelled the length of the country from the Rangiora garage where it had sat dormant for six years to Clint’s Ruakaka workshop. “Mike, the previous owner, was awesome. He stacked the van and parts nicely. I was pretty excited to get the van up north. We cut the locks and got her out to enjoy the northland sun,” says Clint. “The panelvan also came with boxes of assorted parts, some good, some not so good, but they all helped.”

A real Italian espresso – Alfa Romeo Junior Zagato 1600

Photos don’t do it justice; they tend to flatten the curves. Rather than being made of the flat pieces of metal the pictures suggest, this car is in fact a collection of subtle and shaped curved lines that somehow look almost straight — sort of like Twiggy was in exactly the same era. The final result is just as pretty and doesn’t weigh much more than she did.
Milan, in the top left-hand corner of Italy, is a long-established home for Italian fashion houses, a place where craftspeople drape the finest materials over the finest forms to create some of the world’s finest fashion clothing. It is also home to another Italian design and create industry; it is the region that headquarters the Stellantis group, which used to be called Fiat, and Alfa Romeo is a part of that.

The Bronze Blowtorch — Chrysler’s ill-fated turbine car programme

Chrysler’s Ghia-bodied Turbine Car, in its distinctive Turbine Bronze paint and black vinyl top, was a head-turner even before it fired up. To many, its exterior design language echoed that of Ford’s Thunderbird. This should come as no surprise given that both were guided by Elwood P Engel, who had moved from Dearborn to Highland Park in 1961 after having designed the 1961–1963 third-generation T-bird. It’s engine, however, was something else altogether.
On 15 May 1962, Chrysler announced the limited production build of 55 gas turbine-powered cars. The cars would be lent to 203 drivers for three-month test drives over a period spanning more than two years. Only 46 cars actually went to the general public. Five were prototypes, two were held by Chrysler for marketing and dealer programmes while two were stars of the Chrysler pavilion at the 1964–65 New York World’s Fair.

Porsche New Zealand Celebrates Certification of New Porsche Classic Technicians

Porsche New Zealand proudly announces that three of their talented technicians have successfully completed the prestigious Porsche Classic Technician training program and are now officially Certified Porsche Classic Technicians.
Ricky Urry and Kai Newstead of Giltrap Porsche, along with Savannah Mountney-Needham from Continental Cars Porsche, have demonstrated exceptional skill and dedication throughout the rigorous training process. This accomplishment is a testament to their unwavering commitment to preserving and servicing classic Porsche vehicles to the highest standards.

Almost mythical pony

The Shelby came to our shores in 2003. It went from the original New Zealand owner to an owner in Auckland. Malcolm just happened to be in the right place with the right amount of money in 2018 and a deal was done. Since then, plenty of people have tried to buy it off him. The odometer reads 92,300 miles. From the condition of the car that seems to be correct and only the first time around.
Malcolm’s car is an automatic. It has the 1966 dashboard, the back seat, the rear quarter windows and the scoops funnelling air to the rear brakes.
He even has the original bill of sale from October 1965 in California.

Becoming fond of Fords part two – happy times with Escorts

In part one of this Ford-flavoured trip down memory lane I recalled a sad and instructive episode when I learned my shortcomings as a car tuner, something that tainted my appreciation of Mk2 Ford Escort vans in particular. Prior to that I had a couple of other Ford entanglements of slightly more redeeming merit. There were two Mk1 Escorts I had got my hands on: a 1972 1300 XL belonging to my father and a later, end-of-line, English-assembled 1974 1100, which my partner and I bought from Panmure Motors Ford in Auckland in 1980. Both those cars were the high water mark of my relationship with the Ford Motor Co. I liked the Mk1 Escorts. They were nice, nippy, small cars, particularly the 1300, which handled really well, and had a very precise gearbox for the time.
Images of Jim Richards in the Carney Racing Williment-built Twin Cam Escort and Paul Fahey in the Alan Mann–built Escort FVA often loomed in my imagination when I was driving these Mk1 Escorts — not that I was under any illusion of comparable driving skills, but they had to be having just as much fun as I was steering the basic versions of these projectiles.

Fear and loathing the blue oval – part one

The slogan went something like ‘There’s a Ford in your future’. ‘Bugger off!’ were always the words that sprung to my mind. Ford and I have never really got on in the manner of many of my friends, so I’d say my relationship to the brand was distant. The accelerating blur of passing time has helpfully blanketed memories of a few Ford encounters which I probably wanted to forget but I have to admit, now I look at them, they are re-appearing through the mists of time. What comes to mind more readily, to quote some uncharitable wit, is that the letters Ford could stand for ‘fix or repair daily’. Still, I have to ’fess up, there were several Fords in my past.

Class struggle

For a British car, it is huge; for those sitting inside, the bonnet seems to extend past the horizon. The front seats are very comfortable rather than body hugging. The dashboard and centre console cluster are beautifully laid out, reminiscent of a fighter plane cockpit, with acres of red leather all around. Its V8 burble is on show. It is not a car to sneak about in, and it gets attention wherever it goes.
The large back window, possibly the best-known feature of the Interceptor and one that sets it apart, has very good functionality, allowing greater access to the boot. It would not be an easy job to replace it, so Interceptor owners are careful about reversing and not hitting anything.

The super-detailed point of difference

Tony Lyne has been building models for as long as he can remember, and he has realised his love for classic Formula 1 in spectacular fashion. As a teenager, Tony was drawn to the ‘elbows out’ style of racing required to keep cars of that era on Formula 1 circuits the world over and the technological race to improve them.
It is hard to fully understand the time, patience, and nerve-racking moments that go into a super-detailed work of art. However, hearing people utter “Where do you put the keys in to start it?”, and watching their eyes bulge as they carefully inspect the finished product, shows that all the hours spent in the spare room looking through the magnifying glass were well spent. These kitsets may have started out as a mere humble model, but they have ended up as true scale works of automotive art.

Saltwater Creek Garage

After passing by this building for many years, I decided to call in and ask the owner about his garage and the car that had been parked there. It was a 1982 Hyundai Pony 1200 TLS that he’d inherited from his mother who had bought it when it was nearly new. I was fortunate enough to buy it from him — many had approached him over the years but were turned away. After sitting out there for that long you could not imagine how dirty it was. At least it had never been wet in all that time. The interior is a mid-blue and almost like new — in fact his mother, Irene, had still retained the original factory-fitted thick clear-plastic cover over the mid-blue vinyl door panels.

The Jowett Jupiter turns 70

John Ball has always enjoyed tinkering with old boats and cars. He’s old enough to think having gearbox parts on newspaper on the floor of his bedroom, while the relevant car sat waiting on nail boxes, was a normal part of growing up. His passion has always tended towards old British bangers. He reckons he’s fortunate not to have got caught up in the American muscle scene.
John’s love affair with this Jupiter started in December 2015 when, with some time on his hands during a Christchurch trip, he searched online for ‘cars, before 1970 and in Christchurch’.

Leonardo’s lighting legacy

Ferrari owner and enthusiast Roger Adshead got to wondering where the simply beautiful twin tail lamps that are a signature of many Ferraris came from and what inspired them. It led him on a fruitful journey…
There are no more defining or memorable Ferrari design cues than a pair of twin circular tail lights, which find their echo in the rear valance in two pairs of circular exhaust tips.
Introduced fifty years ago by Pininfarina designer Leonardo Fioravanti, this charismatic Ferrari identifier has more than stood the test of time.
They first appeared on the Dino 206, and then on the 365 GTB/4 Daytona, two of Signor Fioravanti’s most revered designs.
Unlike Pininfarina’s trademark slim vertical tail lights of the 1960s, which subsequently found their way onto the mass-produced Austins, Morrisses, and Peugeots of the period, the twin circular tail lamps remain emblematic of Ferrari supercars and sportscars.
Some earlier Corvettes copied them, and they have been partially mimicked by Golf Mark V and Honda Civics of similar vintage, and it’s probably no coincidence they added some visual flair to Nissan’s high-performing Skylines, but they have been a recurring theme on Ferraris right through to its latest designs.

The empire strikes back – 1960 Buick Invicta

In just a few months of ownership, Graham Baird has worked away at his 1960 Buick Invicta two-door to bring it up to the stunning condition we see today. He says it was already in very good condition when he bought it from its previous owner in Invercargill. Unusually, the Buick comes with a very well executed conversion to right-hand drive, which Graham thinks might have been done in New Zealand. It won its first award in October, as the ‘Best Original’ at the recent Hardpark Takeover 2021 car show in Invercargill, as a delighted Graham explains.
“It was Graham Wilkinson’s own personal car but he hardly used it. Graham had it for 17 years and he found it in Te Anau parked up in storage sheds run by an elderly couple who had owned the Buick for about 10 years.”

Penny’s Pagoda – Mercedes Benz 230 SL

We scouted out a few different locations for photographing this car, but they all had one thing in common. At every stop, people could not help but come up and compliment owner Penny Webster on her stunning Horizon Blue Mercedes 230 SL.
There’s something about the ‘Pagoda’ Mercedes — so-called because the distinctive dipping curve of its roofline echoes that of the famous Eastern tiered temples — that encourages people to speak up.
Many classic cars attract a second look, but in most cases people keep their thoughts to themselves. It was striking how many people felt the need to express the warmth of their feelings about this car.
The expansive glass cockpit, the friendly, subtle lines, and its simple three-box shape seem to encourage openness among passers-by.